by Michael Hibblen | May 12, 2026 | Arkansas News, Arts, Music
Sculptor Kevin Kresse speaks during a groundbreaking ceremony Monday for the atg Pavilion at Argenta Plaza in North Little Rock. Photo: Michael Hibblen
A groundbreaking ceremony was held Monday in North Little Rock for a pavilion in Argenta Plaza that will eventually house statues and busts of influential musicians who emerged from Arkansas. Artist Kevin Kresse, best known for crafting an eight-foot-tall bronze statue of Johnny Cash for the U.S. Capitol, is making the sculptures of 20 musicians who span a broad range of genres, along with Stax Records executive Al Bell.
The first group will be unveiled in September, Kresse said, and will include a replica of the Cash statue using the same mold. Others will be Levon Helm, Sister Rosetta Tharp, Al Green, Glen Campbell, Louis Jordan and Florence Price. Subsequent unveiling ceremonies will take place each year until all 21 statues or busts are on display. In addition to the busts being placed in the pavilion, a second casting will be made of each which will be placed in the hometowns of the musicians.
“It’s something that I’ve been dreaming about for so long that it’s almost surreal that this day is here,” Kresse said in an interview before the ceremony. “It’s the beginning of what I see as a longer adventure with this being the beginning of it. But I see this spreading out around the entire state eventually, hopefully moving on to educational components for kids and everything too.”
Attending the event were private financial donors, state and local tourism officials, representatives of the communities the musicians are from and some of the musicians’ family members. The pavilion is being named after Applied Technology Group, which is headquartered a few blocks away and is owned by Scott and Ruth Landers. The $3 million project is a partnership between North Little Rock Tourism and the nonprofit Argenta Arts Foundation.
“This project will move the needle on tourism not just in the Argenta Arts District, but throughout the state, as well,” said John Goudin, who is the project’s campaign chair. To the financial backers, he said “they’ve never blinked from day one on this project, so thank you all so much.”
Also at the ceremony were Glen Campbell’s youngest sister Sandi Campbell Brink and cousin Steve Campbell, who still lives in Pike County. Glen Campbell was born in the community of Billstown, near Delight, which is also where he was laid to rest in his family’s cemetery after his death in 2017.
Steve Campbell said the second cast of the statue will be placed in a room at the Delight Branch Library. In the meantime, he said in an interview that he’s painting the room and preparing materials that will be placed in there.
“The heritage of music in Arkansas is totally unbelievable. When you start looking at the people that came out of Arkansas and made it so well, it influenced the entire world of music. So Glen being part of it, it thrills us to the core. But all of the others, as well, that there are parts of it, where just the whole nucleus stretches out to the entire state.”
Kresse says the idea of creating a series of statues came to him in 2018 while driving back from the city of Marvell where he had unveiled a bust of Levon Helm, drummer for The Band. He said he had a list in his head of artists he wanted to honor, then began working with radio host Stephen Koch of “Arkansongs” and musician Greg Spradlin. Koch and Spradlin had been working on getting highways named for some of the musicians. But the project was put on hold when Kresse was commissioned for the Cash statue in the U.S. Capitol. Once that was unveiled on Sept. 24, 2024, he then began talking again with Goudin.
The goal, Kresse said Monday, was “for everyone in Arkansas to see the huge cultural impact that the music has had on the whole world and for them to get a real sense of pride of that.”
Also at the ceremony was Jimmy Cunningham, director of tourism development for the Pine Bluff Advertising and Promotion Commission. Compared to the neighboring states of Tennessee, Mississippi and Louisiana, he said Arkansas is late in promoting its musical heritage.
“Arkansas’ got such an incredible, incredible music history, with so many greats, so many giants, and so many contributions, but we haven’t curated our narrative. And so, you know, if nobody else tells the story, how is it gonna get out? We gotta do it ourselves,” Cunningham said.
“I’m excited about it because I think Arkansas needs to celebrate its music. It needs to tell the world how important that music is, and this is one way to do it.”
Arkansas Department of Parks, Heritage and Tourism Secretary Shea Lewis said the pavilion will become a key stop along the Arkansas Music Trail, giving travelers a place to connect to the state’s musician legacy while also boosting economic tourism.
“When visitors come here to see the 21 different busts,” he said, “they’ll stay and explore our restaurants, shops, and the riverfront that North Little Rock has to offer. It’s the power of tourism. It drives our foot traffic, supports small businesses, it strengthens our overall communities, as well as quality of life. It’s what makes Arkansas special, our creativity, our culture, the warm, welcome people that they feel when they arrive.”
Here is the complete list of artists being honored and the cities where second castings of statues and busts will be placed:
- Johnny Cash –- Dyess
- Albert King — Osceola
- Howlin’ Wolf — West Memphis
- Al Green — Forrest City
- Charlie Rich — Colt
- Sonny Boy Williamson — Helena
- Conway Twitty — Helena
- Levon Helm — Marvell
- Louis Jordan — Brinkley
- Sister Rosetta Tharpe — Cotton Plant
- Big Bill Broonzy — Pine Bluff
- Lefty Frizzell — El Dorado
- Scott Joplin — Texarkana
- Glen Campbell — Delight
- William Grant Still — Little Rock
- Florence Price — Little Rock
- Pharoah Sanders — North Little Rock
- Al Bell — North Little Rock
- Granny Almeda Riddle — Heber Springs
- Jimmy Driftwood — Mountain View
- Ronnie Hawkins — Fayetteville
by Michael Hibblen | Apr 30, 2026 | Arkansas News, Arkansas Politics
Gov. Sarah Huckabee Sanders was joined by legislative leaders on Wednesday to sign identical budget bills. Photo: Michael Hibblen
At the conclusion of a three-week fiscal session of the Arkansas Legislature, Gov. Sarah Sanders on Wednesday (April 29) signed the Revenue Stabilization Act into law.
The $6.7 billion budget for the fiscal year that begins in July includes an increase in funding for Educational Freedom Accounts, authorizes millions in economic incentives to attract a major manufacturer to West Memphis and funds a pay increase for Arkansas State Troopers.
The governor was surrounded by Republican state lawmakers for the bill signing ceremony.
“A fiscal session is always a mad dash, but we came together, we did the work and we delivered for the people of Arkansas,” Sanders said.
The budget meets the goals she laid out in her State of the State address at the start of the session, Sanders said, “and because of that, we will now be able to cut taxes for the fourth time in three years next week.” That’s when legislators will return to the Capitol for a special session focused on reducing state taxes.
“When we cut Arkansas’ income tax, we will have lowered our overall rate since I took office by 25% and returned more than $1.5 billion to the people of Arkansas. We will also lower our corporate tax rate … by 0.2% and continue to make Arkansas the best state in America to do business,” Sanders said.
Senate President Pro Tempore Bart Hester, R-Cave Springs, acknowledged to state agency directors and cabinet secretaries in the room that the final approved budget would be tight for all of them. But he said that was necessary to put the state in a financial position to responsibly pass additional tax cuts.
“What we’re asking them to do is more with less and continue to serve the people of Arkansas. I want to thank every state employee who’s out there doing their part to make sure that we continue to provide great services,” Hester said.
House Speaker Brian Evans, R-Cabot, stressed the importance of education-related votes during the fiscal session.
“Education that is for all children, regardless of their age, their gender, their background, their wealth index, or physical, or mental capabilities,” Evans said. “We are investing in the children of Arkansas.”
Additional EFA funding
When Sanders was questioned about expanding funding to cover the growing cost of sending kids to private schools or for home schooling, she said public schools are also benefitting from the budget approved by the legislature.
“We’re putting about $300 million into Education Freedom Accounts. At the same time, we’re putting $3.3 billion into public education — 10 times as much — the largest investment we’ve ever made in public education in the state of Arkansas. And you want to know what the best part is? It’s actually working,” Sanders said.
“Our kids are doing better, our teachers have higher satisfaction than they have ever had, our state is winning because we’re investing where it matters, and it’s gonna make a difference, not just in the immediate, right now. We’re seeing our test scores go up. We’re seeing our schools do better.”
She suggested the benefits to education will be felt for decades to come and said Arkansas is a blueprint that other states are following.
West Memphis Superproject
The budget authorizes up to $300 million to be transferred from surplus funds to help convince a major manufacturer to build a superproject in West Memphis. Details are being kept confidential, but it has been suggested the project could initially create up to 4,000 jobs, then another 2,000 after completion.
“I’m hopeful that we will be able to get this project,” Sanders said. “It will be a massive economic investment in a region of our state that will benefit greatly.”
Sanders said she couldn’t get into specifics about the other states vying for the project, but suggested “Arkansas is in a very good position.”
The money would be split into $150 million for an incentives package, then another $150 million for infrastructure improvements, like roads and highways. There have been assurances this is not a data center.
Senate and House leadership
During his remarks, Senator Hester congratulated Sen. Breanne Davis (R-Russellville) for winning a majority of the votes in the Senate earlier in the day to become president pro tempore designate for next year’s general session. But that’s not the final vote.
Sen. Ron Caldwell, R-Wynne, told colleagues he too is interested in the leadership position. After the November election and before the Senate is convened next year, a decision is expected during an organizational meeting.
Meanwhile in the House, Speaker Evans, who did not face a challenge, was again elected to the top leadership position in that chamber.
This story was reported for Talk Business & Politics and the six newspapers published by Newsroom Ventures. I’ll discuss the fiscal session and what’s planned for next week’s special session on the “Talk Business & Politics” program airing Sunday, May 3 at 9:30 a.m. on KLRT-Fox 16 in Little Rock, KNWA-Fox 24 in Fayetteville and on Monday, May 4 at 6:05 p.m. on Little Rock Public Radio’s KUAR-FM 89.1.
by Michael Hibblen | Apr 27, 2026 | Arkansas History, Music
This story was published in the April 24 issue of The Glenwood Herald.
The tombstone for Glen Campbell and his wife Kimberly at the family’s cemetery in Billstown. Photos: Michael Hibblen
Wednesday, April 22, would have been Glen Campbell’s 90th birthday. The music legend was born in the unincorporated Pike County community of Billstown and is buried in his family’s cemetery there. But he’s more widely known as a native of the nearby town of Delight where he attended school.
He brought national attention to the town by concluding episodes of his television program “The Glen Campbell Goodtime Hour,” which ran from 1969 to 1972 on CBS, by saying,“If you’re ever in Delight, Arkansas, come see me.” While he dropped out of school in tenth grade to pursue a music career and left Arkansas, relatives of Campbell still live in the area.
Campbell had a five-decade recording career, first as a session musician, then as a solo artist with a string of hit songs. He released 64 studio albums, selling over 45 million records worldwide. He won multiple Grammy Awards in the country and pop categories, along with other awards and honors. Campbell also acted in several movies, including the 1969 screen adaptation of “True Grit” in which he co-starred with John Wayne.
Glen Travis Campbell was born on April 22, 1936 to John Wesley Campbell and Carrie Dell Campbell. He was the seventh son of 12 children. His father was a sharecropper in Billstown and the family struggled financially while primarily growing cotton. The Encyclopedia of Arkansas notes that many of Glen Campbell’s relatives were musicians and that he developed an early interest in singing and playing. He received his first guitar at the age of 4, began performing in public by age 6, brought his guitar to school while in kindergarten and occasionally played on local radio stations.
He moved with his parents to Houston, Texas, then joined an uncle’s band in Albuquerque, New Mexico where he began performing in nightclubs. He eventually moved to Los Angeles in 1960 where, as people familiar with Campbell’s career know, his incredible guitar playing led to him being an in-demand studio musician backing a diverse group of world-renowned singers. As part of a loose collective of session musicians who became known as “The Wrecking Crew,” he played guitar on many of the biggest hits of the 1960s, ranging from Frank Sinatra’s “Strangers in the Night” to the Monkee’s “I’m a Believer.”
Campbell finally found success as a singer in 1967 with “Gentle on my Mind,” followed by the even bigger hits “By the Time I Get to Phoenix” and “Wichita Lineman.”
In the subsequent decades he had ups and downs in his personal life, became fodder for the tabloids, but always managed to reemerge to enthusiastic fans. He openly discussed his struggles with alcohol and cocaine, saying he gave up drinking and drugs in 1987. But in 2003 he had a relapse and spent 10 days in an Arizona jail after pleading guilty to charges of aggravated drunk driving and leaving the scene of an accident.
In 2011, Campbell disclosed he had been diagnosed with Alzheimer’s disease, but rather than immediately pull back from public eye, he embarked on “The Goodbye Tour.” He performed around the world, including shows in Little Rock, Fayetteville, Forrest City and Jonesboro. A film crew followed him on that tour and captured the progression of his illness. The documentary “I’ll Be Me” was released in 2014 with the opening scene showing Campbell and his wife Kimberly watching old home movies, but he didn’t recognize himself.
Like his candor years earlier on drug and alcohol abuse, the film is credited with helping to reduce the stigma and shame of a condition that a sizable percentage of people will experience.
Glen Campbell died at a long-term care facility in Nashville, Tenn. on August 8, 2017 at the age of 81. He was laid to rest the following day during a private ceremony in Billstown, returning to the community where his life began.
Visiting Campbell’s grave
Last year I was listening to a podcast on the Beach Boys, which referenced Campbell’s work with the band and that he filled in for Brian Wilson on a tour for about four months after Wilson suffered a nervous breakdown in December 1964. Campbell, who had recorded on several Beach Boys songs, was quickly brought in to play bass guitar and sing high harmonies. It dawned on me that several times a month I drive relatively close to Billstown, but had never gone through.
On an early Sunday morning, Feb. 2, 2025, after dropping off my daughter in Texarkana, I put the cemetery address of 821 Billstown Road into my phone. It counted down the miles until I started passing tombstones and saw a wooden post with a hanging sign that said “Campbell’s Cemetery.”
I parked and first read a historical marker placed by the state which told the story of Campbell’s life. I then started walking among the many gravestones, most with Campbell as the surname, looking for Glen Campbell. I soon found the one for him and his wife Kimberly, who is still alive, and was looking at the little trinkets that I assume have been left by fans. Then I was a little startled to hear a recording of Campbell singing “Amazing Grace.” Looking around, I saw a speaker in a tree and realized it was likely triggered by a motion sensor. But it was perfect to hear on a solemn Sunday morning while paying my respects to someone whose music has deeply impacted my life.
A speaker in a tree that plays Campbell’s recording of “Amazing Grace” when activated by a motion sensor.
The sign for Campbell’s Cemetery at 821 Billston Road near Delight, Arkansas.
I shared this story with my friend Mark Keith, co-publisher of the Hope-Prescott News, owner of the Little River Journal and former owner of the Glenwood Herald, and he told me about his visit to the Campbell Cemetery. Being a musician himself and a radio veteran in the area, he said had previously gotten to know several of Glen Campbell’s relatives, including cousin Steve Campbell.
While driving through Billstown several years ago during the pandemic, he realized he hadn’t seen Campbell’s grave and decided to stop. While he knew about the motion sensor that starts “Amazing Grace,” he too was caught off guard when the song began playing. Then he noticed a long white Chevrolet truck was passing the cemetery.
“So it goes down the road and he stops and backs up. And I thought, oh good lord, I’ve upset the Billstown mafia. Well, Steve Campbell gets out, and I’ve known Steve for many, many years. He plays music, has a group, is a very good singer and a very nice guy,” Keith said.
They visited for a little bit, he said, while maintaining social distancing.
“So I was really tickled to see him and I thought that was a great little story to tell everybody about going to Billstown and running into a real live Campbell there.”
